Ref.: 50489L-CAMINAR
“Solo quiero caminar” is the first album of Paco de Lucia’s sextet with his brothers Ramón de Algeciras and Pepe de Lucía, Carles Benavent as bassist, Jorge Pardo on the sax and flute and Rubem Dantas on percussion. This album is the beginning of a new path and the flamenco we know today. The album is also one of the best flamenco guitar concert albums. In this project, Paco de Lucia...
Ref.: 50489LDVDGFPBULERIAS
The new didactic collection "Guitarra Flamenca por Palos”, by maestro David, is a work designed from elementary to middle level. The collection is classified by styles with the aim of learning all the major styles of flamenco to "compás” with modern and traditional content. The collection begins with the style "rumba” and will continue with bulerías, soleá, alegrías, siguiriyas,...
Ref.: 50079L-FAP5ALE
Progressive Method Flamenco Piano5 Seguiriya byLola Fernández. Flamenco for Piano is a method designed for teaching pianists how to play flamenco. In this treatise, pianists, composers, scholars and musicians in general will find a detailed study of the rhythm, harmony, melody and formal structures of each of the flamenco styles and their practical application to the piano. This is a...
Ref.: 50489LCDAFPT1
Paco de Lucía's Music Scores Book, Anthology of Falsetas, Tangos (Early Period). Collection made by David Leiva, where most important changes of the professional career of Paco de Lucía are published for the first time. His career has spanned all the main musical styles such as soleá, siguiriya, alegrías, tientos, tangos, fandangos, bulerías, tarantas,...
Ref.: 50489LCDAFPLTT1
Anthology of Paco de Lucía's Falsetas - Tientos (First Epoch)Collection made by David Leiva where for the first time the most important variations of Paco de Lucía's professional career will be shown. It will cover all the main styles such as soleá, siguiriya, alegrías, tientos, tangos, fandangos, bulerías, tarantas, etc.Each style is made up of 3 volumes, corresponding to stages of his...
Ref.: 50489LCDAFPLSEG1
Anthology of Falsetas by Paco de Lucía. Siguiriya (First Epoch). Paco de Lucia Collection by David Leiva where for the first time the most important variations of Paco de Lucía's professional career will be shown. It will cover all the main styles, such as soleá, siguiriya, alegrías, tientos, tangos, fandangos, bulerías, tarantas, etc.Each style is made up of 3 volumes, corresponding to...
Ref.: 50489LCDAFPLS1
Anthology of Falsetas by Paco de Lucia. Soleá (First Epoch). Paco de Lucia. Collection by David Leiva where for the first time the most important variations of Paco de Lucía's professional career will be shown. It will cover all the main styles, such as soleá, siguiriya, alegrías, tientos, tangos, fandangos, bulerías, tarantas, etc.Each style is made up of 3 volumes, corresponding to stages...
Ref.: 50489LDVDGFPRUMBAS
The new didactic collection "Flamenco Guitar by Styles”, by maestro David Leiva and produced by Flamencolive, is a work designed from elementary to middle level.The collection is classified by styles with the aim of learning all the major styles of flamenco to "compás” with modern and traditional content.The collection begins with the style "rumba” and will continue with...
Ref.: 50489L-ELDUENDE
David Leiva present the score book: El duende Flamenco of Paco de lucia volume VIII. Ten sublime creation flamenco pieces with a perfect interpretation assume, without doubt, a before and after for flamenco guitar and music, reaching unimaginable heights of composition and performance before. "El Duende Flamenco” compositions are masterfully elaborated and mark a new compositional evolution,...
Ref.: 50489LZYRYAB
Zyryab is a piece that revolutionize the flamenco of that time. Thanks to it, Paco de Lucía has proved with his savoir faire different jazz instruments match perfectly well with flamenco. The master has connected most orthodox flamenco language with new harmonies, melodies and rhythms of this style which are being carefully selected and give to flamenco a completely new and renewing touch....
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