Ref.: 50079AC-ABACUS
The Musical Abacus integrates the main concepts in Music Theory, relating them in a logical and ordered way.For beginners, simple to use, for those without prior knowledge to reading music. It consists of two rotating discs,one being cardboard and the other plastic. Both discs are 12-sided polygons (or dodecagons). This is due to the fact that there are 12 different musical notes and, therefore,...
Ref.: 50079LCD-ABANTOS
Abantos, contains nine themes of concert written by the same author. Oscar recreates here all his inspiration with a big virtuosity. I don't know if this world is adequate for him, but he is aa very natural guitarist who know how to simplify the complicated things. He is virtuous thanks to the perfection of his toque, beat. These are themes that seem to have their own life. Mastery that Oscar...
Ref.: 50489ATELIERMONTOYA
Score with 10 songs in tribute to Ramon Montoya recording live by Juan Lorenzo with RamonMontoya Guitar (Santos Hernandez, 1922). 01. Granaína02. Tiento and tanguillo03. Soleá04. Fandango05. Malagueña06. Guajira07. Alegrías08. Rondeña09. Siguiriya10. MilongaSize: A4 - 48 pagesLanguages: english and italianCD included.
Ref.: 50489ML3360
Concert themes.Sabicas´ life and work show that it isn´t necessary to be andalusian to play flamenco.Sabicas, exceptional guitarist and composer in the flamenco history, was born in Navarre and lived in America duringmany years. This exil probably explains the fact that Sabica was the first flamenco guitarist who plays mainly solos.His huge discography exceeds Paco de Lucia and Manolo...
Ref.: 50489ML3470
Flamencos tracks, study of style. Sabicas life and work refutes the wrong idea that one has to be andalusian to play flamenco.Sabicas was an exceptional guitarist and composer in the flamenco history. He was navarre and lived in America.This long time exiled explains why Sabicas was mainly the first flamenco guitarist playing as soloist. His hugediscography as soloist overtakes the one of Paco...
Ref.: 50489L-APUNTES03
A grate Flamenco repertory including falsetas, rhythms and primary chords that are usual in the main flamenco styles to accompany the cante (singing) and baile (dancing). Useful to every guitarist who need a varied repertory or improve it in thiscomplicated art of accompaniment Book Content Preface 10 basic advices to the flamenco guitarist Notation signs Andres Batista Studies: Arpegio study...
Ref.: 50489L-APUNTES04
A grate Flamenco repertory including falsetas, rhythms and primary chords that are usual in the main flamenco styles to accompany the cante (singing) and baile (dancing). Useful to every guitarist who need a varied repertory or improve it in this complicated art of accompaniment Book Content Preface 10 basic advices to the flamenco guitarist Notation signs Andres Batista4 Studies: Picado study...
Ref.: 50489ML3339
"Enrique Morente, guitar tab con voz" book give the continuity to the collection Grandes Maestros del Cante Flamenco, being the first transcription of his work. The trancription are full, showing melodic lines of the sing, the accompaniment and falsetas of the guitar. The sing melodic lines show that all the notes and the main "melismas" accompanied by lyrics, useful transcriptions for...
Ref.: 50489ML3340
Flamenco guitar method from the compas 2 gives the continuity of the first volume of the collection, this book is classified as medium level. The progressive approach of this method gives to the student the possibility to start in a didactic way, and to the teachers, to get an original and modern guide material in their teaching. In this volume we will find falsetas as examples of the bif masters...
Ref.: 50489L-APUNTES01
A great Flamenco repertory including falsetas, rhythms and primary chords that are usual in the main flamenco styles to accompany the cante (singing) and baile (dancing). Useful to every guitarist who needs a varied repertory or improve it in this complicated art of accompaniment. Book Contents: Preface 10 basic advices to the flamenco guitarist Notation signs Andres Batista El...
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