Tarantas
Tarantas, they belong to the Andalusian songs branch, folk songs from the East coast, flamenco styles originated in the eastern provinces, Almeria and Murcia, songs from the mine, and free measure. They belong to the tangos group with a binary measure. The taranta is the major song of the eastern style. Long song, hard, rough and manly, only influenced by the fandango. The taranta is the mine song par excellence. Born in the miner basins the taranta is the reflect of the tortured landscapes and transmit the superhuman efforts and the tiredness of the first countrymen.
Very romantic folk song and very expressive. The guitar is the tone support and keeps the rhythm.
Taranto
Tarantos, they belong to the Andalusian folk songs.
Tembleque
Used with heels and without moving of the place.
Templar la voz
The cantaor warms up his voice, and consolidated the tonality and the tempo (marked by the guitar).
Temple
Section of the singing useful for the singer to find the right tone, the guitar helps him.
Temporera
Flamenco song from the countryside.
Tercio
Each one of the lyrics of some songs. Melodic verses. For example, for teh Solea, the first tercio is the first lyric and in a Malagueña the first tercio is the first melodic verse.
Ternary meter signature
Tientos
Tiento is a musical genre and flamenco palo originating in Spain in the mid-15th century. It is formally analogous to the fantasia (fantasy), found in England, Germany, and the Low Countries, and also the ricercare, first found in Italy. The word derives from the Spanish verb tentar (meaning either to touch, to tempt or to attempt), and was originally applied to music for various instruments. By the end of the 16th century the tiento was exclusively a keyboard form, especially of organ music. It continued to be the predominant form in the Spanish organ tradition through the time of Cabanilles, and developed many variants. Additionally, many 20th century composers have written works entitled "tiento."
Tocaor
Flamenco guitarist.