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Description:
Momentos Cumbre (Los grandres Maestros del arte flamenco) is made up of 3 fully remastered Cd's in which 'there is no selection criteria other than offering the listener with a sampler of the best quality voices and guitars of flamenco's most fertile catalogue on record'. It is selection of the best recordings from the archives of the following labels: Ariola, Columbia, Rca, Alhambra, Zafiro, Iberofón and Vergara.
From a first selection of this melting pot, made by José Manuel Gamboa, we have 'Momentos cumbre de los grandes maestros del cante flamenco.' Among these remastered pieces there are jewels like the first soleá recorded by Fernanda de Utrera, her sister Bernarda's debut bulería, the original version of 'Los Campanillos' which boosted La Niña de la Puebla to fame, Pepe Aznalcóllar's well known fandangos, the last recordings by Manolo Caracol and Manuel Vallejo, essential recordings by La Repompa, Rancapino, Enrique Morente or Manolo Sanlúcar; the bambera Naranjito recorded along with Paco de Lucía, Porrina de Badajoz y Niño Ricardo's version of 'Ojos Verdes, soniquetes by La Negra, Chano Lobato, Bambino and many others totaling 60.
From a first selection of this melting pot, made by José Manuel Gamboa, we have 'Momentos cumbre de los grandes maestros del cante flamenco.' Among these remastered pieces there are jewels like the first soleá recorded by Fernanda de Utrera, her sister Bernarda's debut bulería, the original version of 'Los Campanillos' which boosted La Niña de la Puebla to fame, Pepe Aznalcóllar's well known fandangos, the last recordings by Manolo Caracol and Manuel Vallejo, essential recordings by La Repompa, Rancapino, Enrique Morente or Manolo Sanlúcar; the bambera Naranjito recorded along with Paco de Lucía, Porrina de Badajoz y Niño Ricardo's version of 'Ojos Verdes, soniquetes by La Negra, Chano Lobato, Bambino and many others totaling 60.
Reviews:
Momentos Cumbre (Los grandres Maestros del arte flamenco) is made up of 3 fully remastered Cd's in which 'there is no selection criteria other than offering the listener with a sampler of the best quality voices and guitars of flamenco's most fertile catalogue on record'. It is selection of the best recordings from the archives of the following labels: Ariola, Columbia, Rca, Alhambra, Zafiro, Iberofón and Vergara.
From a first selection of this melting pot, made by José Manuel Gamboa, we have 'Momentos cumbre de los grandes maestros del cante flamenco.' Among these remastered pieces there are jewels like the first soleá recorded by Fernanda de Utrera, her sister Bernarda's debut bulería, the original version of 'Los Campanillos' which boosted La Niña de la Puebla to fame, Pepe Aznalcóllar's well known fandangos, the last recordings by Manolo Caracol and Manuel Vallejo, essential recordings by La Repompa, Rancapino, Enrique Morente or Manolo Sanlúcar; the bambera Naranjito recorded along with Paco de Lucía, Porrina de Badajoz y Niño Ricardo's version of 'Ojos Verdes, soniquetes by La Negra, Chano Lobato, Bambino and many others totaling 60.
From a first selection of this melting pot, made by José Manuel Gamboa, we have 'Momentos cumbre de los grandes maestros del cante flamenco.' Among these remastered pieces there are jewels like the first soleá recorded by Fernanda de Utrera, her sister Bernarda's debut bulería, the original version of 'Los Campanillos' which boosted La Niña de la Puebla to fame, Pepe Aznalcóllar's well known fandangos, the last recordings by Manolo Caracol and Manuel Vallejo, essential recordings by La Repompa, Rancapino, Enrique Morente or Manolo Sanlúcar; the bambera Naranjito recorded along with Paco de Lucía, Porrina de Badajoz y Niño Ricardo's version of 'Ojos Verdes, soniquetes by La Negra, Chano Lobato, Bambino and many others totaling 60.