Ref.: 50511BMG234
'Temporal' is an album that will take the listener by surprise. It is a musical journey through Spanish territory of popular music of several regions (flamenco, andaluz folklore, castellano and gallego,) while piecing together the cultures that have determined its evolution (arabo-andaluz, sefardí, cuban, medieval european, etc.)Radio Tarifa influences yet again the mixing and crossing of...
Ref.: 50511BMG208
In her debut album, Esperanza Fernández sets loose her vivid Flamenco accomapnied by Moraíto's guitar in the La Malena bulerías. With equal disposition, she sings the seguiriya De noche en mi Triana by the cantaor José el de la Tomasa. There also is part of the concert that Guillermo McGill wrote for her with la Nana de la esperanza and the alegrías Jazmín de media noche by Miguel Ángel...
Ref.: 50509NM518
Mas pescao ‘y no tanto bakalao’…. With the titles ''El Curro'' or '' Mujer de fuego''. The band is: José Antonio Nieto (guitar), Manuel Herrero, Antón Padilla, José Sánchezand Pepe Toledano.
Ref.: 50509NM517
'Blues de la Frontera' is considered one of the best records released in Spain in the 1980s, not only in terms of flamenco. It is the beginning of a kind of sound that the Amador brothers christened 'blueslería'. It is also the last album that the Amador brothers recorded together. After 'Blues de la Frontera', Raimundo left the band and Rafael continued on his own. As the title itself...
Ref.: 50509NM509
In 1990 he presented the performance ‘Mi tiempo’ in Sevilla, where he has been clapped by the public. He is a magical musician. Rafael has opened a new way to the flamenco music.
Ref.: 50509NM485
Juego de Niños, was Rafael Riqueni's recording debut and it did not disppoint the many aficionados who were anxiously waiting for it, when it was released as an LP in 1986.Flamenco INternational Magazine considers it ''...alongside with Paco de Lucía's 'Sirocco' the most important guitar album of that revolutionay decade''.
Ref.: 50509NM461
José Soto Sorderita (Madrid, 1964) made a giant leap with his historical recordings for Nuevos Medios, either with Ketama - which he founded - or alone. This talented offspring of the cantaora dynasty of the Sordera de Jerez invented nothing less than 'cool', flamenco.
Ref.: 50509NM461
José Soto Sorderita (Madrid, 1964) made a giant leap with his historical recordings for Nuevos Medios, either with Ketama - which he founded - or alone. This talented offspring of the cantaora dynasty of the Sordera de Jerez invented nothing less than 'cool', flamenco.
Ref.: 50509NM434
José Antonio Carmona Carmona (Granada, 1944) is the son and father of gypsy guitarists: the glorious lineage of the Habichuelas. His art has something universal, and he is in great demand by young musicians of different cultures. That is because, 'the sound of his guitar is that of a tree crying'.A compilation of themes by guitarist Pepe Habichuela. This record is part of “Nuevos Medios de...
Ref.: 50509NM419
The first record by this guitar prodigy, who has pure flamenco roots and has studied in the Conservatory. It has taken him three years to record it, but it has been worth the wait. The young guitarist displays a stunning technique at the service of classicism, without disdaining contemporary elements. He enjoys the varied participation of great cantaores (flamenco singers), as well as fine...
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