La pureza del cante. Menese
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Palos:
- Alborea -
- Castigos -
- Fandangos -
- Farruca -
- Mirabras -
- Nanas -
- Saeta -
- Saeta de la Puebla -
- Seguiriyas -
- Solea -
- Soleares de Jose Bergamin -
- Tangos -
- Taranta -
- Tarantos -
- Tientos
Artists:
DRO EAST WEST
Menese is one of the most important non-gypsy cantaores. He has an authentic and inmense liking for Flamenco and a full voice charging with deep echoes. He runs from triviality and decadent beauty in order to find the pureness in Jondo cante. Talkative and tragical, his cante is basically a "quejío" and his repertoire is probably one of the longest ones in the history of Flamenco given that he doesn't limit himself to traditional cantes and always keeps in mind free-style cantes.
Songs:
Disco 1
- 1. Gitana como aquella (Soleá)
- 2. Fue una condena (Fandangos)
- 3. No te desvele (Nana)
- 4. Mira cómo vengo (Mirabrás)
- 5. El viento solano (Seguirilla)
- 6. Como en volanda (Taranto)
- 7. Ramita de oliva (Farruca)
- 8. Tocan a leva (Castigos)
- 9. La noche y el día (Tangos)
- 10. Hasta el morí (Tientos)
- 11. ¡Qué buena gitana! (Seguirilla)
- 12. Caminos de soledad "Soleares de José Bergamin" (Soleá)
- 13. A mi niña Ana (Alboreá)
- 14. Redimir al hombre "Saeta de la Puebla" (Saeta)
- 15. Iba mi mare a lavar (Taranta)
Menese is one of the most important non-gypsy cantaores. He has an authentic and inmense liking for Flamenco and a full voice charging with deep echoes. He runs from triviality and decadent beauty in order to find the pureness in Jondo cante. Talkative and tragical, his cante is basically a "quejío" and his repertoire is probably one of the longest ones in the history of Flamenco given that he doesn't limit himself to traditional cantes and always keeps in mind free-style cantes.
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