Ref.: 50112UN28-ED
Dame la mano goes in deep into the ketamera philosophy. On the disc, besides the expected pop, flamenco and blues there are also certain teases with hip hop and house. For the most part Dame la mano is composed of a trio with Juan and Josemi on guitars and Antonio on vocals. The album is titled after a tango in a villancico style. There are balads like Parar el tiempo and Como las mareas with...
Ref.: 50112UN25
'De Aki a Ketama' was recorded live at the Cinearte Studios in Madrid on March 28th and 29th, 1995. This album marked a new era on the career of this band formed by two brothers and a cousin brought up in Madrid who belong to an Andalucian family with a very strong flamenco background. In this album Ketama did an amazing job of exploring unorthodox rhythmic patterns and meters. They had the...
Ref.: 50112UN104
Flamenco is a very rich and very demanding art, and it is almost impossible to capture its vital flavor without years of training and experience. Ketama, fortunately, has what it takes to deliver excellent New Flamenco. Released in June, 1998, Konfusion has a nice blend of smooth Pop-Jazz-Flamenco sound that promises to please new listeners. Also, the lyrical content of 'Konfusion', is far more...
Ref.: 50112UN163
It was in 1990 when Ketama released 'Y es ke me han kambiao los tiempos', immediately achieving success among other flamenco musicians, a genre which they've enriched through a mixture of pop and Latin ryhthms. Let's not forge that Ketama spearheaded this flamenco-pop mix known as New Flamenco, almost 15 years ago.
Ref.: 50112UN177
This recording belongs to the kind of work created to be lived, to be drank without limitations so that it goes under the skin, so that it finds a place in one's soul and grows from there. Each song in Toma Ketama, is unmistakably grounded in flamenco, but the entire Latin music world is fair game as interpretations of the bolero, son montuno, samba, and salsa add upt to the sauce. 'Mienteme'...
Ref.: 50509NM486
A compilation record that features the works that were published between 1988 and 1990. It involves the participation of Ray Heredia, Aurora, Toumani Diabate and Sorderita.
Ref.: 50509NM501
The first work by Ketama. It was released in 1985, although it had been recorded two years earlier. At the time, the band, which was formed by José Soto, Juan Carmona, José Heredia and Antonio Carmona, represented a gamble in the recording world which would later reap its benefits. Ketama already enjoyed the involvement of important figures. This first record featured the participation, among...
Ref.: 50509NM504
The band's first compilation record. It includes pieces from the period when it was still made up by its founding members: José Soto, Sorderita, as a singer and on guitar; Juan Carmona on guitar and Ray Heredia on guitar, percussion and voice; at the same time, Antonio Carmona (percussion and voice) and José Miguel Carmona (guitar) also feature in this record.
Ref.: 50509NM439
After working with Paco de Lucía for ten years, Cañizares makes his mind up to begin his solo career with this first album, which was considered a great event in the world of flamenco. In this work, he appears as an original and restless musician, and an impeccable instrumentalist. On some tracks, you can hear Carles Benavent's bass.
Ref.: 50511BMG110
The 15 songs in this album are a round-up of the most important pieces in his three previous studio albums and include three unedited songs. It is Radio Tarifa in its pure state, where he offers his musical ideas and creative approach.
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