Ref.: 50509NM432
Ten great songs by Paco de Lucía except de song 'Se me partió la barrena', played by Jorge Pardo on sax and flute, and by Chano Domínguez on the piano. They are accompanied by Javier Colina on the double bass, Tino Di Geraldo on percussion and Luis Dulzaides on the congas, bongos and shekere. Pieces composed by the maestro from Algeciras, without guitar, and with a very strong jazz flavour.
Ref.: 50112UN107
'Samaruco' signals the comeback to the recording arena of Duquende. In this album, the singer shows more steadiness and formality than expected. This is due to the great care put in the production of this CD, recorded in three different studios with as many as four engineers. Among the musicians, a fantastic list which includes the usual 'godfathers' Benavent and Tino Di Geraldo, sought after...
Ref.: 50113SME114
'Poeta' was released in 1997 and it's Amigo's third CD. Composed in 1995 and originally entitled 'Concierto flamenco para un marinero en tierra', 'Poeta' represents a beautiful meadow in the middle of an incomparable view: Alberti's poetry, Amigo's flamenco guitar, and the majestic sypmhonic ennsamble La Orquesta de Córdoba, conducted by Leo Brower, a key player not only in the Cuban music but...
Ref.: 50112UN162
In 'El arte de lo invisible', released in 1993, the Carmona trio took a huge leap that secured them massive success among the public. 'Demasiado Corazón', featuring Aurora, or 'Vengo de Borrachera', are two of the highlights of this album. 'El arte de lo invisible' is a good chance to hear some of the origins of this Gypsy band that, almost 15 years ago, spearheaded this flamenco-pop mix known...
Ref.: 50112UN167
'Pá gente con alma', published in 1992, is Ketama's sixth studio album, named as a tribute to Ray Heredia, founding memeber of the band who had recently died due to an overdose. This album also evidences the differences between the Cardona's adn José Soto 'Sorderita', another member of the band who didn't even participate in the recording.
Ref.: 50112UN170
1981 witnesses the release of the first Pata Negra album, and eponymous album that set the record for future works, combining electrifying and flamenco guitars with an innate self-confidence. Tracks like 'Blues de los niños' (Kids Blues), 'Rock del Cayetano' or 'Los managers', clearly show that the Amador brothers (Raimundo and Rafael) have found a holy grail of unsuspected richness and enormous...
Ref.: 50112UN214
Rock Gitano is a magnificent flamenco-rock fusion piece of work. It's quality is seen through Raimundo's mastery of the guitar and Rafael's blends of tarantos with rock and roll in his voice. The band brings together rock, 'Levante', tanguillos, 'Badajoz', all types of bulerías, tangos, blues and even a cover of Allman Brothers Band's 'Jessica'.
Ref.: 50509NM426
La Barbería del Sur lead the second wave of New flamenco bands and picked up right where Pata Negra and Ketama left off, bleding flamenco with other latin styles and jazz. In many aspects there haven't been any other recordings better than the ones La Barbería made with Nuevos Medios. The member's deep flamenco roots and and their spontaneous sprinkles of jazz, latin and african rhythms yielded...
Ref.: 50112UN270
'Trabajito me ha costao' (whichs means something like 'It took me a great deal of work to get it') is the fourth album of Cádiz based band Maita Venda Ca, a name which in Caló jergon means 'my mother is Gypsy'. The lessons learnt in the previous years have given them more self confidence to do what they really know best, which tend to coincide with what the public wants. In 'Trabajito me ha...
Ref.: 50999425346
Silence-Light is the first release of the flamenco percussionist and composer Nacho Arimany.The great creativity and power of Javier Vercher in saxophones and percussions atmospheres. Lionel Loueke on amazing guitars that comes from Africa to others galaxies joined with his personal and unique voice. El apoyar de Pablo Suarez con el piano la armonía de flamenco que va más lejos su propia alma...
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